Anne Nguyen: Choreographer, writer and theatre director
“Dancing for the Earth”
Since 2005, Anne Nguyen has dedicated herself to sublimating hip-hop dance and its rebellious culture and injecting it with a certain amount of mystery. She combines a raw, virtuoso gestural vocabulary with a geometrical, pure, destructured choreographic expression that exalts the power of abstraction. Echoing the hip-hop dancer’s explosive movements, her pieces depict the human being’s passionate struggle with a hostile contemporary environment. Incarnated by virtuoso dancers with magnetic personalities, her choreographies depict dance as a universal and salutary art and embody the resistance of the living in the face of ever-evolving values.
Square Root, Yonder Woman, PROMENADE OBLIGATOIRE, bal.exe, Autarcie (….), Kata, À mon bel amour… The titles Anne Nguyen gives to her pieces reveal her many influences: from mathematics to the martial arts, myths to utopian concepts. She concentrates on gesture as a symbol, the body as the object of ownership, movement as a primary need, the stage as a priority platform for sharing. On the bare stage, she builds choreographic architectures loaded with meaning where powerful, liberating dancing becomes a magical ritual designed to make us take a renewed interest in the present. Anne Nguyen’s choreographic pieces combine constraint and freedom, poetry and mathematics, technicality and improvisation, sensuality and explosiveness..
Parallel to her choreographic works, Anne Nguyen writes, directs and choreographies theatre-dance pieces where hip-hop dance becomes the support for a wider reflection upon our society: Goku’s Trial, Heracles on his head… She draws on the problematics that suffuse the world of dance and art in order to explore the relationship between institutions and individuals, the tensions between creative freedom and academism, the idea of legacy, freedom of expression. Anne Nguyen also created Dance of the city warriors, a path of digital interactive installations. She wrote a collection of poems, the Manual of the City Warrior.
Anne Nguyen: Artistic journey
At a very young age, Anne practiced competitive gymnastics, then started learning a number of martial arts, including Viet Vo Dao, Capoeira and Brazilian jiu-jitsu. Fascinated by science, she intended to go into the field of physics, but finally abandoned that particular path when she discovered the world of breakdance and battling, its values reflecting her desire to break free.
“Having a style is knowing how to adopt a stance.”
She first put forth her desire to set the mind free through the body in written form with her collection of poems Manual of the City Warrior, published in Graff It ! magazine, for which she was chief editor of dance. Choreographer Faustin Linyekula, for whom she danced at the time, urged her to choreograph a solo structured around these poems: Square Root thus came into being in 2005. It was an instant hit within the profession, and she performed her solo around the world for many years, while continuing to nurture her passion for breakdancing in battles and cyphers, at a time when hip-hop dance was booming in France. She danced with legendary crews, such as RedMask in Montreal and Phase T, Def Dogz and Créteil Style in France. She took part in hundreds of battles, with her crews and mostly solo, winning IBE 2004, BOTY 2005, and being on the jury for BOTY 2006 and Red Bull BC One 2007. The documentary, Planet B-Boy (2007) reflects a period when Anne was busy with numerous battles while developing her own dance company and pursuing her career as a performer for contemporary and hip-hop dance companies, such as the famous Black Blanc Beur.
Trailer of Anne Nguyen (B-girl Anne) in battle.
Break demo 2017 Anne Nguyen.
In 2007, a locker crew invited her to create Keep it Funky!, which marked the beginning of a cycle of works in which Anne set out to sublimate the essence of the different hip-hop dance styles. With PROMENADE OBLIGATOIRE and bal.exe, she sculpted the popping gesture into precise, elegant, minimalist structures, and invented looping pop, a robotic dance style performed in pairs. In 2013, she was awarded the Nouveau Talent Chorégraphie SACD prize. Anne has continued to perform in her own works: after Square Root, she choreographed the duet Yonder Woman then the quartet Autarcie (….), in both of which she depicts herself alongside key female figures in hip-hop dance. For Avignon 2019, she co-authored and performed the duet Axis Mundi besides puppeteer Élise Vigneron. In 2017, Anne paid tribute to breakdance with the show Kata, which enhances the martial aspect of breakdance. À mon bel amour, created in 2019, draws on the fashion show to stage hip-hop dance alongside ballet, vogue, krumping and contemporary dance.
With Goku’s Trial in 2020, Anne Nguyen signed her first theater-dance piece. Performed inside classrooms, the piece stars B-Boy Goku, a dance fanatic who’s summoned before justice for having done a dance step protected by intellectual property law. For 2021/2022, Anne Nguyen is working on a diptych that explores the relationships between breakdance, sport and art: Heracles on his head, which stars a breakdance champion who’s training for a great sports competition, and Phallophorie, a breakdance trio that explores the symbols of masculine strength and heroism and pushes them to their contradictions.
Most of Anne Nguyen’s choreographies are set to original music scores that she co-creates in close collaboration with the musician-composers. She has also collaborated with Orchestre Régional de Normandie on bal.exe. Anne Nguyen is regularly called upon for her expertise in hip-hop dance. Since 2012, she has been teaching an artistic workshop on hip-hop dance at Sciences Po Paris University. Convinced that dance is a positive good for society, in 2016 she cre ated Dance of the city warriors, a path of interactive installations offering the audience a chance to become immersed digitally and physically in the world of hip-hop dance.